{"id":178,"date":"2019-05-03T09:09:11","date_gmt":"2019-05-03T09:09:11","guid":{"rendered":"http:\/\/test.puttbill.com\/?page_id=178"},"modified":"2025-11-20T13:44:23","modified_gmt":"2025-11-20T13:44:23","slug":"bio","status":"publish","type":"page","link":"https:\/\/puttbill.com\/en\/bio\/","title":{"rendered":"Bio"},"content":{"rendered":"
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Bio<\/h2>\n

Felix Pestemer (born in Braunschweig in 1974) studied fine art at the Berlin University of the Arts and illustration at the Escola Massana in Barcelona. Since then, he has been working at the intersection of both disciplines: comics and stories in book format form a fluid transition to narrative graphic series. His first graphic novel, Der Staub der Ahnen (The Dust of the Ancestors, 2012), was nominated for the Max und Moritz Award and is based on a one-year DAAD research stay in Mexico. The albums \u201cIn the Eye of the Beholder \u2013 A Tour of the Old National Gallery” (2019) and \u201cAlles bleibt anders \u2013 Das Konzerthaus Berlin und seine Geschichte(n)\u201d (Everything Remains Different \u2013 The Berlin Concert Hall and its History\/Stories, 2021) are dedicated to the urban and cultural history of his adopted home, Berlin. Since 2023, Pestemer has been developing climate protection comics in cooperation with experts.<\/p>\n

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Solo Exhibitions<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2019<\/td>\n\u201eIn the eye of the beholder”, Bookshop of the James Simon Gallery<\/td>\n<\/tr>\n
2016<\/td>\n‘Die Schraube’, Akademie der K\u00fcnste Berlin<\/a><\/td>\n<\/tr>\n
2014<\/td>\n“El polvo de los antepasados”, Museo de Arte Popular, Mexico-City<\/a><\/td>\n<\/tr>\n
2013<\/td>\n“The Dust of the Ancestors”, Literaturhaus, Stuttgart<\/a><\/td>\n<\/tr>\n
<\/td>\n“The Dust of the Ancestors”, Kunstsammlung, Linz<\/a><\/td>\n<\/tr>\n
2012<\/td>\n“The Dust of the Ancestors”, Museum for Sepulchral Culture, Kassel<\/a><\/td>\n<\/tr>\n
<\/td>\n“BLUE POX”, Martinski Fine Arts, Berlin<\/a><\/td>\n<\/tr>\n
<\/td>\n“The Dust of the Ancestors”, Altstadtmarkt, Erlangen<\/a><\/td>\n<\/tr>\n
<\/td>\n“A Peyote Trip” – Fumetto Satellite Exhibition, Apero Meyer, Lucerne<\/a><\/td>\n<\/tr>\n
<\/td>\n“La Poussi\u00e8re de A\u00efeux” – Archives D\u00e9partementales, Angoul\u00eame<\/a><\/td>\n<\/tr>\n
2010<\/td>\n“Que Viva M\u00e9xico”, Mexican Embassy in Germany, Berlin<\/a><\/td>\n<\/tr>\n
2009<\/td>\n“Polvo \u2013 Day of the Dead”, Epitaaf \/ Ateliers Salu, Brussels<\/a><\/td>\n<\/tr>\n
2008<\/td>\n“Welcome the Stranger – The Puttbill Parables”, Martinski Fine Arts, Berlin<\/a><\/td>\n<\/tr>\n
2007<\/td>\n“NEOPHYTE PLASMA \u2013 Idols of Decay and Tedium Relics”, Galerie Bob Parsley, Berlin<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Group Exhibitions<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2020<\/td>\n“… Give me the Place”, Museum for Sepulcral Culture<\/a><\/td>\n<\/tr>\n
2019<\/td>\n“In the eye of the beholder” (Exhibition comiXconnection), Museum Europ\u00e4ischer Kulturen<\/td>\n<\/tr>\n
2018<\/td>\n“The 9th Art”, Horst Janssen Museum, Oldenburg<\/a><\/td>\n<\/tr>\n
2017<\/td>\nExhibition Picnic Time, Museum f\u00fcr Angewandte Kunst, Frankfurt\/M.<\/a><\/td>\n<\/tr>\n
2016<\/td>\nBier- und Oktoberfestmuseum, M\u00fcnchen<\/a><\/td>\n<\/tr>\n
2014<\/td>\nHorst-Janssen-Museum, Oldenburg<\/td>\n<\/tr>\n
2013<\/td>\n“Comics from Berlin. Pictures of a City”, Haus der Berliner Festspiele, Berlin<\/a><\/td>\n<\/tr>\n
<\/td>\n“11 Years, 11 Days and 11 Seconds” – an Anniversary Exhibition of the Avant Publishing House, Neurotitan, Berlin<\/a><\/td>\n<\/tr>\n
2011<\/td>\n“Po\u00e8te maudit”, Gallery ErsterErster, Berlin<\/a><\/td>\n<\/tr>\n
2010<\/td>\n“Drama Light”, “Gewerbehalle”, Lucerne<\/a><\/td>\n<\/tr>\n
2009<\/td>\n“Drama Light”, Ballhaus Ost, Berlin<\/a><\/td>\n<\/tr>\n
<\/td>\n“49 Meter Neuk\u00f6lln”, Alte Kindl-Brauerei, Berlin<\/td>\n<\/tr>\n
<\/td>\n“Liebe und Existenzialismus am Arbeitsplatz”, Galerie elm75, Berlin<\/td>\n<\/tr>\n
2008<\/td>\n“Gl\u00fcck Gehabt – Kunst im Untergrund”, Metro U8, Berlin<\/a><\/td>\n<\/tr>\n
<\/td>\n“Illustrative 2008”, Messezentrum, Z\u00fcrich<\/a><\/td>\n<\/tr>\n
<\/td>\n“All your life”, Neue Gesellschaft f\u00fcr Bildende Kunst, Berlin<\/a><\/td>\n<\/tr>\n
<\/td>\n“7. Internationale Grafik Triennale”, Schloss Bevern, Holzminden<\/td>\n<\/tr>\n
<\/td>\n“Jared Lindsay Clark vs. Felix Puttbill Pestemer”, Kompact Living Space, Berlin<\/td>\n<\/tr>\n
2007<\/td>\n“Illustrative 2007” – Auswahl Neue Talente, Villa Elisabeth, Berlin<\/td>\n<\/tr>\n
2006<\/td>\n“Eine Dose ist eine Dose ist eine Dose…”, Kultur-Tisch des Kunstvereins Schloss Morsbroich, Leverkusen<\/td>\n<\/tr>\n
2004<\/td>\nMeistersch\u00fclerausstellung, Universit\u00e4t der K\u00fcnste Berlin<\/td>\n<\/tr>\n
2003<\/td>\n“Fuck!” Nebbich zu Gast bei Yello Biafra \u2013 Spoken Word, SO\/36, Berlin<\/td>\n<\/tr>\n
2002<\/td>\n“Feria de Curseler\u00eda”, Club Domestic, Barcelona<\/td>\n<\/tr>\n
<\/td>\n“The Punk Collection”, Aggregat an der Volksb\u00fchne, Berlin<\/td>\n<\/tr>\n
2001<\/td>\n“Cobra Hopital” (Nebbich Edition No.2 zu Gast bei Katharina Jahnke), Golden Pudel Club, Hamburg<\/td>\n<\/tr>\n
2000<\/td>\n“Stilvoll Einkaufen \u2013 Repr\u00e4sentativ Arbeiten”, Kunstraum B\/2, Leipzig<\/td>\n<\/tr>\n
1999<\/td>\n“Europa spielt New York in Berlin”, Chambres d\u2019Amis, Berlin<\/td>\n<\/tr>\n
<\/td>\n“Luxus L\u00fccke”, Ausstellungsforum am Checkpoint Charlie, Berlin<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Bio Felix Pestemer (born in Braunschweig in 1974) studied fine art at the Berlin University of the Arts and illustration at the Escola Massana in Barcelona. Since then, he has been working at the intersection of both disciplines: comics and stories in book format form a fluid transition to narrative graphic series. His first graphic…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":78,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-178","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.1","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/puttbill.com\/en\/wp-json\/wp\/v2\/pages\/178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/puttbill.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/puttbill.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/puttbill.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/puttbill.com\/en\/wp-json\/wp\/v2\/comments?post=178"}],"version-history":[{"count":47,"href":"https:\/\/puttbill.com\/en\/wp-json\/wp\/v2\/pages\/178\/revisions"}],"predecessor-version":[{"id":1917,"href":"https:\/\/puttbill.com\/en\/wp-json\/wp\/v2\/pages\/178\/revisions\/1917"}],"wp:attachment":[{"href":"https:\/\/puttbill.com\/en\/wp-json\/wp\/v2\/media?parent=178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}